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Cuno Amiet - Bildnis der Josefine Kaiser - Munzinger, 1907

   

Cuno Amiet - Bildnis der Josefine Kaiser - Munzinger, 1907
Öl auf Leinwand
61 x 55 cm

Cuno Amiet - Bildnis der Josefine Kaiser - Munzinger, 1907
Oil on canvas
61 x 55 cm

In Cuno Amiet's oeuvre, portraits and portraits take on a very special significance. His home in Oschwand was at times an important meeting place for artists, patrons and art dealers from all over Switzerland and abroad. Many of these visitors can be found in the numerous Amiet portraits. Many of these portraits were shown in 2018 in the exhibition Cuno Amiet - Retrospective on his 150th anniversary, but not the Bildnis der Josefine Kaiser - Munzinger, which was later included to our gallerys collection. Although not dated by Amiet, it is stylistically estimated to be an early 20th century piece. 

Amiet depicted Josefine in symmetrical frontality, with her crown, brooch and necklace forming a vertical axis that reinforces this impression of symmetry and frontality. Her dark dress contrasts with the colourful background. A dense foliage with scattered red flowers grows into an almost ordered pattern. The garden appears like a wallpaper and gives the whole painting an abstract character.

Cuno Amiet - Bildnis der Josefine Kaiser - Munzinger, 1907
Öl auf Leinwand
61 x 55 cm

About artist
Cuno Amiet
Solothurn, CH, 1886 — 1961

Cuno Amiet (1868, Solothurn – 1961, Oschwand) was the first Swiss artist to prioritize colour in composition and preceded the Modern art movement in Switzerland. After completing his first self-portrait at the age of 15, Amiet became Frank Buchser’s student in 1884. During the autumn of 1886, Amiet went to Munich and studied at the Academy of Fine Arts. In 1887 he met Giovanni Giacometti, who later became his lifelong friend, and the following year they travelled to Paris together where Amiet began further studies at the Académie Julian. However, following the year 1892 Amiet became increasingly dissatisfied with his academy classes and transferred to Pont-Aven where he discovered Paul Gauguin and Vincent van Gogh and laid the foundations for his colourist painting.
In 1894, Amiet held an exhibition in the Kunsthalle Basel, where his use of overly saturated colours was largely rejected by art critics. Later, in 1898, he was commissioned to create a portrait of Ferdinand Hodler, the subsequent connection between the two artists led to Amiet’s increased interest in Art Nouveau.
In 1905, Amiet held an exhibition at the Galerie Richter in Dresden, where the artists’ group Die Brücke became aware of him. In 1906, Erich Heckel invited Amiet to become a member of the group giving him the opportunity to be part of the first Brücke exhibition, focused on the female nude, in Dresden.
In 1914, Amiet held a solo exhibition at the Kunsthaus Zurich with 124 works on display. In 1919, he was awarded an honorary doctorate from the University of Bern. Today Cuno Amiet is regarded as one of the most important pioneers of classical modernism in Switzerland.