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Book release

Cuno Amiet - Retrospektive zum 150. Geburtstag

In the catalogue for the exhibition "CUNO AMIET - Retrospektive zum 150. Geburtstag", the exhibition is extensively illuminated - a large number of photographs and exhibition views immerse the viewer in the exhibition. All of the more than 200 exhibited works are catalogued in pictures and text, the artist's biography and other texts on Cuno Amiet are also integrated into the publication.

On the 150th birthday of Cuno Amiet, the gallery Bromer took the occasion to show the artist and his work in all its aspects and to realize a retrospective, which has never before been realized in this form in a private institution. The result are 206 exhibited works from 77 years of artistic work accompanied by a "walk-in photo album", which also traces Amiet's biography with texts and a multitude of personal objects of the artist. On almost 200 pages, the reader of the catalogue gets a detailed insight into the presentation and the exhibits on display. In addition, interesting information about the artist in words and pictures as well as impressions of the exhibition can be found. 

About artist
Cuno Amiet
Solothurn, CH, 1886 — 1961

Cuno Amiet (1868, Solothurn – 1961, Oschwand) was the first Swiss artist to prioritize colour in composition and preceded the Modern art movement in Switzerland. After completing his first self-portrait at the age of 15, Amiet became Frank Buchser’s student in 1884. During the autumn of 1886, Amiet went to Munich and studied at the Academy of Fine Arts. In 1887 he met Giovanni Giacometti, who later became his lifelong friend, and the following year they travelled to Paris together where Amiet began further studies at the Académie Julian. However, following the year 1892 Amiet became increasingly dissatisfied with his academy classes and transferred to Pont-Aven where he discovered Paul Gauguin and Vincent van Gogh and laid the foundations for his colourist painting.
In 1894, Amiet held an exhibition in the Kunsthalle Basel, where his use of overly saturated colours was largely rejected by art critics. Later, in 1898, he was commissioned to create a portrait of Ferdinand Hodler, the subsequent connection between the two artists led to Amiet’s increased interest in Art Nouveau.
In 1905, Amiet held an exhibition at the Galerie Richter in Dresden, where the artists’ group Die Brücke became aware of him. In 1906, Erich Heckel invited Amiet to become a member of the group giving him the opportunity to be part of the first Brücke exhibition, focused on the female nude, in Dresden.
In 1914, Amiet held a solo exhibition at the Kunsthaus Zurich with 124 works on display. In 1919, he was awarded an honorary doctorate from the University of Bern. Today Cuno Amiet is regarded as one of the most important pioneers of classical modernism in Switzerland.