The exhibition at bromer kunst, which lasts until 19th March 2017, highlights Häsler’s cosmopolitan, eventful life and his artistic output as a photographer, drawer, designer and as one of the first photorealistic painters. We want to point out at two artworks displayed in the exhibitions:
Bar in Haarlem (Rudolf Häsler, Bar in Haarlem. New York, 1987, Acryl on wood, 68 x 102 cm) originated in one of Häsler’s urban wanderings through the American metropolis. The dense, photorealistic artworks represent a vibrant world, ruled by consumerism, in which placards and billboards advertise for all kind of products.
The dominating red color in Häsler’s acrylic painting Bar in Haarlem is particularly striking: The brick wall, the varnished entrance door and the porch roof are all painted with the exact same reddish nuance. Nevertheless, Häsler is able to capture the different materialities and their characteristic properties by purposefully applying fine shades and lights. The way he skillfully handles light reveals itself by observing the neon writings and the subtle reflections on the glass pane.
The first overseas destination led Rudolf Häsler into the Caribbean, to Cuba. There, he started to experiment in his painting with manners of realistic representation. The oil canvas Cuban Fisher ("Kubanischer Fischer" 1958 - 1969, oil on canvas, 135 x 90 cm) illustrates Häsler’s approach to artistically interpret the tropical impressions into colorful canvases. The bird’s eye view gives the painting the dynamic of a snapshot - the fishing boat seems to glide away in the transparent sea.