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Zürich - Rämistrasse

Rudolf Urech-Seon - A Foreign Visitor


Galerie Bromer is proud to announce the opening of its second location at Rämistrasse 3 in the cultural centre of Zurich on September 11, 2020. The new space will occupy the former premises of the heritage company Bächtold Sport in the historical Denzlerhäuser, built in 1910 by the Art Nouveau architects Bischoff and Weideli, famous for the design of the neighbouring Grand Café Odeon. The inaugural exhibition will present the strong colour compositions and dynamic form constructions of the Allianz artist Rudolf Urech-Seon (1876-1959).

Rudolf Urech-Seon - Doppelgesicht, 1950

Rudolf Urech-Seon - Der Gedüngte, 1947

Rudolf Urech-Seon - Composition, 1935

Rudolf Urech-Seon - Dreieinheit, 1947

Rudolf Urech-Seon - Das Mädel, o.J.

Rudolf Urech-Seon - Der Ausfall, 1956

About Exhibition
About Exhibition

The exhibition Rudolf Urech-Seon A Foreign Visitor brings the artist to Zurich as a Fremder Gast (a stranger or a foreign visitor) – as the title of one of his works reads. A visitor, because he never really felt comfortable in the city and was always drawn back to his studio in Seon in the canton of Aargau.  A stranger, because his artistic path differed from the one of his colleagues in Zurich and he developed his own unmistakable, abstract visual language independently from the major urban art centres. Urech-Seon confidently created an accomplished and multi-faceted œuvre – characterised by a mystified nature, mathematical formulas and extra-terrestrial, dream-like creatures.

From 1913–1916, Rudolf Urech-Seon attended the Academy of Fine Arts in Munich and undertook study trips to Germany, Austria and Italy. After an intensive study of post-impressionist forms, he began to use Villard's division canon to underlay his paintings with a carefully calculated geometric construct of lines. The earthy hues of these early abstractions from the 1930s were based on his then still strong reference to landscape. Later, Urech-Seon developed his own colour vocabulary consisting of only a few strong colours, which, in contrast to the earthy tones, seem unnatural – as if they were fictional and otherworldly. Blue, red, yellow, purple and turquoise became the artist's signature colours.

During the Second World War, Urech-Seon was one of the few artists in Switzerland to incorporate the world events into his work. To point out his critical thoughts around the rise of Nazism and the resulting wartime events, he increasingly created works with a surrealistic and organic formal language, some of which have clearly descriptive titles such as Der Anschluss (The Annexation, 1938), Dämonen (Demons, 1942) or Schwere Auseinandersetzung (Serious Confrontation, 1945).

In 1947, Rudolf Urech-Seon joined the artist group Allianz, which included members such as Max Bill, Sophie Taeuber-Arp and Richard Paul Lohse. In the following years, he took part in three exhibitions of the Allianz – 1947 at Kunstverein St. Gallen, 1947 at Kunsthaus Zürich and 1954 at Helmhaus Zürich – and participated at the Salons des Réalités Nouvelles in Paris in 1948 and 1950. In the 1950s, Urech-Seon created his late work in quiet seclusion, which is characterised by a reduced formal language, fine lines and precisely defined surfaces. Until a few months before his death in July 1959, he continued to create new compositions, leaving behind an extensive body of work. Posthumously, solo exhibitions were dedicated to him at Aargauer Kunsthaus in 1976 and 1991, and in 1981 several works of his were shown in the renowned exhibition Dreissiger Jahre Schweiz. Konstruktive Kunst 191545 at Kunstmuseum Winterthur. Since then, his œuvre has remained in the family estate, largely hidden from the public for several decades.

About artist
Rudolf Urech-Seon
Seon, 1876 — 1959

After his apprenticeship as a house painter, Rudolf Urech (18.2.1876, Seon - 23.7.1959, Seon) established a painting business in his home village Seon in the canton of Aargau in 1905 and married Marie Baumann in the same year. Despite a secured family and professional situation, Urech decided close his business to attend the Munich Art Academy from 1913 to 1916 and pursue an artistic career. In 1918 he returned to Seon and rarely left the village after that. From then on he called himself Urech-Seon to differentiate himself from the Basel painter Rudolf Urech (1888–1951).